A raft of thespians really made the effort to become unrecognisable for roles in 2016, whether through over-eating (McConaughey), heavy prosthetics (Downton’s Dan Stevens for ‘Beauty and the Beast’) or simply just bad eyebrows (John Travolta in ‘The People Vs O.J. Simpson). Here are a few more of the best. Image credits: Reuters/Disney/Lionsgate/BBC/Associated Press/Cover Media/Warner/Universal/Deadline/Fox/Sony/Focus Features/FameFly/Instagram/AFP/FX/US Weekly/WENN/GC Images
It’s a running joke throughout the none-more-meta superhero comedy that budget and contracts prevent Deadpool from interacting with his more A-list Marvel stablemates – Deadpool himself frequently references X-Men that Fox didn’t allow us to see. Yes, the same turbine-powered mobile aircraft carrier as used by the Avengers and S.H.I.E.L.D.. Fox weren’t allowed to reference the carrier by name, and the design had to be tweaked a little, but ‘Deadpool’ visual artist Emmanuel Shiu confirmed the connection.
The tangled and twisted ‘X-Men’ universe is so full of plot holes and parallel timelines it’s impossible to join the dots. By far the biggest plot hole in ‘Apocalypse’ is the fact that none of the characters seem to have aged at all – the film is set in 1983, 21 years after the events of ‘X-Men: First Class’, but the cast have barely aged a day.
Idris Elba’s ‘100 Streets’ is one such film. Elba, famed for his role in ‘The Wire’, has appeared in a host of features like the ‘Thor’ franchise, ‘Prometheus’, ‘Pacific Rim’, and this year’s ‘Zootropolis’. Joining him in ‘100 Strets’ are Gemma Arterton, Tom Cullen, and Franz Drameh, yet the British flick could only muster £245 in its opening weekend, according to HuffPost.
Depending on your point of view, 2016′s summer of blockbusters can be described as a number of things, with titles like ‘X-Men: Apocalypse’, ‘Captain America: Civil War’, ‘Jason Bourne’, ‘Star Trek Beyond’, ‘Suicide Squad’, ‘The BFG’, ‘Ghostbusters’, and ‘Finding Dory’ pleasing movie goers to varying degrees as well as being divisive with critics. Over at comScore, the numbers have been tallied and, according to The Wrap, 108 days after the first Friday in May 2016 summer films are ahead of 2015′s but only narrowly. Annual box office takings are up nearly 5%, which is largely down to a few big-hitters from the likes of Disney and Marvel, not to mention some consistent numbers from Warner Bros. too.