David Oyelowo is one of the most insightful ambassadors for inclusion in the film industry. As he was breaking through in Selma, the Oxford native born to Nigerian parents was in the lengthy process of developing A United Kingdom. In fact, four of his last five films (A United Kingdom, Queen of Katwe, Five Nights in Maine, and Selma) have been directed by women, and that isn’t a coincidence.
Matt Damon isn’t letting his archnemesis, Jimmy Kimmel, off the hook for the shocking Oscars climax, or “Envelopegate,” as it came to be known.
“Why are people still interested in me?” That was Shirley MacLaine’s modest response to learning how much fans enjoyed her 2014 Role Recall interview with Yahoo Movies. As for her enduring popularity, let’s begin with her legacy. A certifiable screen icon, MacLaine’s long, successful career launched in 1955 with the Alfred Hitchcock film The Trouble With Harry, includes classics like The Apartment and Being There, and features six Oscar nominations, with one win for Terms of Endearment. Six decades later, the 82-year-old continues to release challenging, interesting films.
In the wake of the unprecedented Best Picture announcement snafu, the real winner has been robbed of the headline it deserved: “Moonlight” made history last night. The night’s biggest prize went to Barry Jenkins’s drama about three phases in the life of a gay African-American male — played as an adult by Trevante Rhodes, as a teenager by Ashton Sanders, and a boy by Alex Hibbert. Here are just a few of the ways “Moonlight” broke the mold.
At the conclusion of Sunday night’s Academy Awards, Warren Beatty and Faye Dunaway announced that "La La Land" had won Best Picture — which would have been all well and good, except that the actual winner was "Moonlight." It was an awards show error for the ages. It was not, however, the first time such a thing happened at the Oscars.
Other than those directly involved with director Barry Jenkins’s acclaimed drama "Moonlight," no one, it seemed, was happier about the Best Picture error than Steve Harvey.
In what will inevitably go down as one of — no, the — craziest moment in Oscar history, presenters Warren Beatty and Faye Dunaway announced the wrong winner for Best Picture at the Academy Awards late Sunday night. They called La La Land. That film’s team came up onstage and began making speeches. Then, in a moment of mayhem and confusion, La La Land producer Jordan Horowitz told the world that there was a mistake. Moonlight was the real winner.
Warren Beatty’s oops moment made the audience gasp. When it comes down to it, stripping away the gold statues, the acceptance speeches, and the orchestra playing winners off the stage, the Oscars are just one big party. 1. Warren Beatty and the in-house audience were just as confused as the rest of us about the Best Picture snafu.
The Best Sound Mixing category doesn’t typically get a lot of ink at the Academy Awards, but something truly historic unfolded when the 2017 winner was announced Sunday night. Then, around 9:32 p.m. ET Sunday, O’Connell finally won. “Thank you so much! I can’t even tell you what this means to me,” an exuberant O’Connell, who shared the awards with fellow sound mixers Andy Wright, Robert Mackenzie, and Peter Grace, said as he stepped to the stage to a hearty ovation.
If the Oscars are the wedding, then the Independent Spirit Awards are the rehearsal: They take place the day before, are far more casual, and play host to many of the same attendees. Guests aren’t the only thing the two ceremonies have in common: For four of the past five years, the Spirit Awards have also named the same best picture winner as the Academy, with top honors at both going to Spotlight (in 2016), Birdman (in 2015), 12 Years a Slave (in 2014), and The Artist (in 2012). This year, the dominant force at the Spirit Awards — held Saturday afternoon in a massive beachside tent in Santa Monica and cohosted by Nick Kroll and John Mulaney — was Barry Jenkins’ gorgeous coming-of-age drama Moonlight.
How many Oscars will La La Land win? Will we see a split between Best Picture and Best Director? Who will win in some tight lead-actor categories?
As Peter O’Toole said when he received an honorary Oscar in 2002 after eight unsuccessful nominations in the competitive categories, “Always a bridesmaid, never a bride, my foot.” Leonardo DiCaprio may have broken his losing streak with last year’s win for Best Actor in "The Revenant," but some people are still waiting for gold. These folks included here may not own an Oscar, but they’re all winners in our book. A few of the honorees below are nominated again this year, so watch the Oscars on Feb. 26 to see if they finally get their trophy.
In 2003, years before terms like “fake news” and “alternative facts” circulated through the media, documentary director Michael Moore used his Academy Awards acceptance speech to accuse then-President George W. Bush of being a “fictitious president” and waging a “fictitious war” in Iraq. “We are against this war, Mr. Bush. Shame on you,” said the director, as cheers and boos echoed through the Kodak Theatre (now the Dolby Theatre) in Los Angeles.
"This is just like prom!" said the 'Star Wars' actress, set up with 27-year-old Tom Coleman, who now recounts their wild night, which included waltzing with Debbie Reynolds and ended at Richard Dreyfuss' apartment.
Perceived Academy Award front-runner makes a seamless transition to old-style arcade game in lighthearted parody clip from Cinefix
We typically think Meryl Streep when it comes to Oscar records, with the master thespian having amassed an incredible 19 nominations. But when it comes to actual wins, Streep’s not in the record books. Instead you’ll find names both famous (Walt Disney, John Williams, Katharine Hepburn) and less familiar (art director Cedric Gibbons, soundman Gary Rydstrom). As we get ready for Oscar night on Feb. 26, here are the folks who have been awarded the most statuettes.
Since it opened, director Mel Gibson has insisted that his Oscar-nominated Hacksaw Ridge is a “love film, not a war film.” The movie’s battle scenes are such a key ingredient and so relentlessly intense, though, that we’ll respectfully disagree. It’s in plain sight in the film’s much tamer first act, in which future WWII war hero Desmond Doss vies for the affection of the nurse Dorothy (Teresa Palmer). In the scene, Desmond just wants some sugar from his sweetheart, but it ain’t happening.
How far did Moana go from the initial drawing-board version? With the Oscar-contending animated hit heading home (the Digital HD version arrives Tuesday while the Blu-ray/DVD hits shelves on March 7), Yahoo Movies has an exclusive deleted scene (watch it above) that shows how the title heroine evolved as a character. As they set up the clip, directors Ron Clements (the one with the beard) and John Musker reveal where it originally had fit in the film.
To celebrate the 50th anniversary of the classic film, the stars have agreed to present best picture on the Feb. 26 telecast.
The 2017 Oscars class photo (click to enlarge). “Wow, what a difference a year makes.” Cheryl Boone Isaacs, the president of the Academy of Motion Picture Arts and Sciences exuded clear satisfaction as she addressed attendees at the 89th Academy Awards luncheon Monday afternoon at the Beverly Hilton. Isaacs opened her remarks by recognizing this year’s far-more-inclusive ballot after the Academy was sharply criticized — or more aptly, publicly shamed — two years in a row for the infamous #OscarsSoWhite controversies.
It’s unusual to schedule an interview during the last quarter of the Super Bowl, but Lin-Manuel Miranda is somewhat pressed for time these days. Miranda, the Oscar-nominated writer-performer-musician whom it’s impossible to describe without at least two hyphens, flew into Los Angeles late on Sunday to attend Monday’s Oscar Nominees Luncheon. There, the man who wrote and starred in the Broadway sensation Hamilton will celebrate his nod for Best Original Song for the stirring ballad “How Far I’ll Go” from the Disney animated adventure Moana.
At 20, Lucas Hedges is 2017’s youngest Oscar nominee. The Manchester by the Sea breakout brings some much-needed laughs to the devastating drama as Patrick, the confident, hockey- and basketball-playing, boat-working, wannabe rocker with two girlfriends who falls under the care of his disgruntled uncle (Casey Affleck). The actor told Yahoo Movies he auditioned for the role five times before finally getting the green light from writer-director Kenneth Lonergan.
Last year was such a stellar one for animation, it was almost guaranteed that some great movies would not make the Oscar cut for Best Animated Feature. When the list was revealed Tuesday morning, the final five included a pair of Disney hits (Zootopia and Moana), a high-profile, stop-motion feature (Kubo and the Two Strings), and an acclaimed Swiss drama that already nabbed a Golden Globe nomination (My Life As a Zucchini). Also on the list was another import, The Red Turtle, which nabbed the fifth slot, beating out Pixar’s smash Finding Dory.
After last year’s nominations spawned #OscarsSoWhite, all eyes were on the Academy Award nominations Tuesday – and in stark contrast to 2016, this year proved to be a much stronger year for diversity, both in front of and behind the camera. While no actors of color were nominated the last two years, this year saw every acting category recognizing a person of color. A record-tying (with 2007) seven minority actors were recognized, including a record-setting six black actors.