Taylor entered films at age 15, and by the early 60s--following a succession of J. Lee Thompson movies--developed into a leading cinematographer, capable in black-and-white and color. After his outstanding work on Stanley Kubrick's "Dr, Strangelove" (1963), Richard Lester's "A Hard Day's Night" (1964)--both employing a wide variety of photographic modes--and his three exceptional collaborations…
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