Chicago native who started as an assistant cameraman on famed cinematographer Haskell Wexler's "Medium Cool" (1968). Davis moved to L.A. and began his first career as a director of photography working on "Hit Man", "Cool Breeze" (both 1972) and Jonathan Kaplan's "The Slams" (1973). He made his feature directorial debut with the independent musical "Stony Island" (1977), which he co-wrote and…
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